Index of Images, Part VI: Barbara F. McManus

Go to Index, Part I, Part II, Part III, Part IV, Part V, Part VII, Part VIII, Part IX, Part X, Part XI, Part XII, Part XIII, Part XIV, Part XV, Roman Coins: Republic and Principate, Roman Coins: Empire, Greek Coins, Coins from the Museum of Cultural History, University of Oslo, Coins from the National Museum in Warsaw, Poland, Coins from the Hunterian Museum

bronze statuette of oracular snake Glycon; detail of head
side/back view; detail of head; front view
second century CE; said to be from Athens
In the second century CE, Alexander of Abonouteichos, living on the Black Sea, delivered oracles through a supposedly miraculous snake with a human head; Lucian says he fitted a live snake with a human-like mask with shaggy hair.
Boston, Museum of Fine Arts. Credits: Barbara McManus, 2002
Keywords: superstition; oracle; prophecy

large marble statue of Melpomene, muse of tragedy, holding mask
Roman copy; said to be from scaenae frons at the theater in Pompeii
Paris, Louvre Museum. Credits: Barbara McManus, 1999
Keywords: drama, muse, mythology

wall painting—muse of comedy and muse of tragedy; Roman, Pompeii, first century CE
Paris, Louvre Museum. Credits: Barbara McManus, 1999
Keywords: drama, muse, mythology

marble statue of Thalia, muse of comedy, holding mask; Roman
Leningrad, Hermitage Museum. Credits: Barbara McManus, 1988
Keywords: drama, muse, mythology

bronze statuette of Mars; Roman, second century CE
London, British Museum. Credits: Barbara McManus, 1986
Keywords: war, military, mythology, god

silver gilt patera with 3 graces in center and Mars scene on handle
detail of handle—Mars and cupids descend to Rhea Silvia
Roman, second century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: legend; foundation of Rome

relief of three Romano-Celtic mother goddesses (matronae) with large headresses holding baskets of fruit and bread
family of dedicator, Q. Vettius Severus, in background; Rhein area, Roman
Bonn, Rheinisches Landesmuseum. Credits: Barbara McManus, 1988
Keywords: multicultual, religion

terracotta antefix depicting Medusa head from temple in southern sanctury at Veii; Etruscan
Rome, Villa Giulia Museum. Credits: Barbara McManus, 1979
Keywords: monster, mythology, Perseus

marble relief of Medusa head from Greek temple in Syracuse
Syracuse, Museum. Credits: Barbara McManus, 1982
Keywords: monster, mythology, Perseus

marble relief of Medea and daughters of Pelias, Roman copy from a fifth-century BCE Athens altar
smaller version
Medea has tricked the daughters into killing their father, believing that they can rejuvenate the aged King Pelias by boiling him in a cauldron with special potions added by Medea.
Berlin, Pergamon Museum. Credits: Barbara McManus, 2005
Keywords: sorceress, witch, mythology

detail, red-figure stamnos: Medea and daughters of Pelias with the ram (Medea rejuvenated ram to make the daughters think she would do the same for their father); Greek, c. 470 BCE
Berlin, Pergamon Museum. Credits: Barbara McManus, 1992
Keywords: sorceress, witch, mythology, vase painting

detail, red-figure vase: Medea's serpent chariot and grieving Jason
Heraclea Museum. Credits: Paula Chabot, 1982
Keywords: sorceress, witch, mythology, vase painting

marble sarcophagus of Medea story, Roman, mid-second century CE, found before the Porta San Lorenzo in Rome
The story depicted here is based on the tragedy by Euripides. Medea's children bring gifts to Creon's daughter (detail of nurse, children, Jason); note that Jason holds poppies in his hand. Creon's daughter writhes in pain from the poisoned garment while Creon helplessly grieves and Jason looks on. Medea debates whether to kill her two sons. Finally, Medea escapes in a chariot pulled by serpents. The two side panels, carved in low relief, depict Jason harnessing the bulls on Colchis, and Jason standing beside a bearded man.
Berlin, Pergamon Museum. Credits: Barbara McManus, 2005
Keywords: sorceress, witch, mythology

bronze statuette of Mercury; Roman, first century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: Hermes, god, mythology, figurine

bronze statuette of Minerva holding owl; Roman
Paris, Louvre Museum. Credits: Barbara McManus, 1999
Keywords: Athena, goddess, mythology, figurine

life-size marble statue of Messalina carrying infant Britannicus: based on Greek original of Eirene and Ploutos
found near Rome; c. 45 CE
close-up of head and upper body
Paris, Louvre Museum. Credits: Barbara McManus, 1999
Keywords: Hermes, god, mythology, figurine

marble statue of Nero as a child wearing bulla and toga, and holding scroll
Roman, c. 48-50 CE
Paris, Louvre Museum. Credits: Barbara McManus, 1999
Keywords: emperor, succession

graffito—caricature of Nero signed by "Tullius Romanus, soldier"
found in the substructures of the south front of the domus Tiberiana, the imperial residence on the Palatine
Credits: Rodolfo Lanciani, The Ruins and Excavations of Ancient Rome, 1897, fig. 55, p. 148
Keywords: graffiti, imperial palace, military, emperor

graffito—victorious gladiator carrying palm branch
Campani victoria una cum Nucerinis peristis, "O Campani [inhabitants of a neighborhood--vicus--in Pompeii], you perished together with the Nucerians in that victory," referring to the riot in the amphitheater of Pompeii in 59 CE
Credits: Champfleury, Histoire de las Caricature Antique, 1866
Keywords: arena, graffiti, sports

romantic graffito: Psyche within a heart; from Pompeii
Credits: Champfleury, Histoire de las Caricature Antique, 1866
Keywords: graffiti

satiric graffito: "Peregrinus" with Roman nose wearing crown of laurel leaves; from Pompeii
Credits: Champfleury, Histoire de las Caricature Antique, 1866
Keywords: graffiti

terracotta figurine of nurse holding infant from Tanagra? Attic? 325-300 BCE
Paris, Louvre Museum. Credits: Barbara McManus, 1999
Keywords: family, children

detail, red-figure vase painting: Orestes pursues Clytemnestra with sword
The vase type is a nestoris by the so-called Amykos painter, 430-420 BCE, found in Metapontum. This is one of several pursuit scenes on the neck of the vase, but the traveler's hat (petasos) on the male and the poses of the women suggests that this is Orestes killing Clytemnestra; the younger woman on the left may be Electra.
Paris, Louvre Museum. Credits: Barbara McManus, 1999
Keywords: Oresteia, mythology

detail, red-figure krater: Apollo purifies Orestes with blood of a pig at Omphalos of Delphi while Clytemnestra seeks to awaken sleeping furies
detail, Apollo and Orestes; detail, Clytemnestra and furies
attributed to Eumenides painter; Apulian, 380-370 BCE
Paris, Louvre Museum. Credits: Barbara McManus, 1999
Keywords: Oresteia, mythology, vase painting

detail, sarcophagus relief: fury looks at fainting Orestes, who is supported by Pylades
Roman, 130-140 CE
Munich, Glyptothek. Credits: Barbara McManus, 1988
Keywords: Oresteia, mythology

red-figure vase: birth of Pandora from the earth
Brussels, Royal Museum of Art and History. Credits: Barbara McManus, 1988
Keywords: Hesiod, goddess, mythology

painted terracotta cinerary urn/sarcophagus with reclining man and relief of embattled warriors
close-up of man reclining on banquet couch
name of dead woman is Thana Ancarui Thelesa; Etruscan, 150-100 BCE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: burial, funerary, painting

detail of Portland Vase—head of Paris
glass blown in two layers, blue inside white, with outer layer carved in cameo technique
Roman, 27 BCE - 37 CE
London, British Museum. Credits: Barbara McManus, 1986
Keywords: Trojan War, Homer

silver figurine of one of the Penates wearing mural crown and holding libation bowl and cornucopia; Roman, third century CE
smaller version
part of a hoard of silver statuettes and coins buried in Mâcon, France after 260 CE; may have come from a sanctuary
London, British Museum. Credits: Barbara McManus, 1999
Keywords: religion, Vergil, Aeneid, Aeneas, Trojan War

Roman relief from the tomb of a poet: muse holds out tragic mask
Credits: J.C. Stobart, The Grandeur that Was Rome (2nd ed.), 1920, plate 42, fig. 2, facing p. 188
Keywords: drama, tragedy, playwright

Roman relief of poet, masks, muse
Credits: Albert Kuhn, Roma, 1913, fig. 108, p. 97
Keywords: drama, tragedy, playwright

sardonyx cameo: seated poet, woman, man playing aulos (double flute)
Roman, first century BCE - first century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: drama, playwright

bronze figurine of Roman goddess Pomona holding fruits
London, British Museum. Credits: Barbara McManus, 1999
Keywords: Roman religion, mythology

small neolithic figurine of seated female with incised body
Herakleion Museum (Giamalkis Collection). Credits: Barbara McManus, 1980
Keywords: fertility goddess, primordial, prehistoric

small marble neolithic figurine of steatopygous goddess (side view); 3500-3200 BCE
New York, Metropolitan Museum of Art. Credits: Barbara McManus, 1980
Keywords: fertility goddess, primordial, prehistoric

prehistoric bronze burial urn in shape of a female; 2600-2000 BCE
Budapest, National Museum. Credits: Barbara McManus, 1992
Keywords: fertility goddess, primordial

sword and commemorative scabbard made for a senior Roman officer; so-called "Sword of Tiberius"; from Mainz
London, British Museum. Credits: Barbara McManus, 2006
Keywords: imperial politics, imperial symbolism

detail of relief at top of scabbard of "Sword of Tiberius"
smaller version.
The relief shows Tiberius ceding military victory in the Alpine campaign of 16/15 BCE to Augustus. Augustus is seated on a throne in the pose of Jupiter; his shield says FELICITAS TIBERI; Tiberius hands him a Victory statuette while Mars Ultor and a Winged Victory.
London, British Museum. Credits: Barbara McManus, 20a0
Keywords: imperial politics, imperial symbolism

detail of relief at bottom of scabbard of "Sword of Tiberius"
London, British Museum. Credits: Barbara McManus, 2001
Keywords: imperial politics, imperial symbolism

interior of portico with columns of Getty museum; modern, but modelled on Villa dei Papyri in Herculaneum
Santa Monica, Getty Museum. Credits: Barbara McManus, 1989
Keywords: house, architecture

interior of white-ground kylix depicting priestess with libation bowl before altar; Greek
New York, Metropolitan Museum of Art. Credits: Barbara McManus, 1999
Keywords: religion, ritual, vase painting

reconstruction of simple room based on Roman houses excavated on Newgate Street in London
furniture, food, and room are replicas but artefacts on table are ancient—tablets and stylus, dishes, board game of tabula
London, Museum of London. Credits: Barbara McManus, 1999
Keywords: apartment, insula, lower classes

painting of Jupiter and Semele by Peter Paul Rubens
Brussels, Belgian Royal Museum of Fine Arts. Credits: Barbara McManus, 1988
Keywords: Dionysus, Bacchus, Zeus, mythology

drawing of writing implements based on Pompeian wall painting
inkstand, pen, papyrus scroll, wax tablets, stylus
Credits: Hermann Bender, Rom und Römisches Leben im Altertum, 2nd ed. 1893, p. 348
Keywords: literature, library, bibliotheca

drawing of man reading a scroll seated before a scrinium; based on Roman sarcophagus relief
Credits: Rodolfo Lanciani, Ancient Rome in the Light of Recent Discoveries, 1888, p. 181
Keywords: literature, library, bibliotheca

drawing of writing implements based on Roman sarcophagus relief
inkstand, cylindrcal scroll case, capsa with scrolls, was tablets
Credits: Rodolfo Lanciani, Ancient Rome in the Light of Recent Discoveries, 1888, p. 181
Keywords: literature, library, bibliotheca

gold seal ring from Tiryns Treasure
procession of lion-headed genii bringing libation jugs toward seated female deity raising chalice; Mycenaean
Athens, National Archaeological Museum. Credits: Barbara McManus, 1998
Keywords: goddess, animal, lion, ritual, Mycenae

mosaic of slaves serving at a banquet Roman, from Carthage; third century CE
Paris, Louvre Museum. Credits: Barbara McManus, 1999
Keywords: slave

street outside large apartment building
Ostia, Via di Diana. Credits: Barbara McManus, 1982
Keywords: insula; street

street in Pompeii with house facades
Pompeii. Credits: Barbara McManus, 1979
Keywords: housing; street

2 bronze strigils and an oil flask on a chain for ease of carrying in the baths; Roman, first-second century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: bathing, hygiene, athletics, athlete

bronze strongbox with lock, said to be from Tarentum; Roman, first-second century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: security, key

head of large terracotta statue of woman possibly a Muse—side view; from Porta Latina in Rome; 50-100 CE
smaller version with transparent background (gif)
London, British Museum. Credits: Barbara McManus, 1999

terracotta plaque with relief of Theseus with mother Aethra, lifting rock to discover sandal and sword left by his father
from Cerveteri; Roman, first century BCE - first century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: mythology, hero

red-figure kylix showing deeds of Theseus; Attic, 440-430 BCE
London, British Museum. Credits: Barbara McManus, 1986
Keywords: mythology, hero

large mosaic of Mithras in the Zodiac between tree with green leaves and leafless tree
detail, reclining Tellus (earth mother) with the four seasons as her children
from Roman villain Sentinum, 200-250 CE
Munich, Glyptothek. Credits: Barbara McManus, 1988
Keywords: mythology, religious symbolism

painting "Rinaldo Abandons Armida" by Giovanni Battista Tiepolo; 18th century
detail, grieving woman
similar to Aeneas abandoning Dido, but actually a scene from another epic, Jerusalem Delivered, by the Italian poet Torquato Tasso
Florence, Uffizi Museum. Credits: Barbara McManus, 1990
Keywords: Vergil, Aeneid

jug in the form of a female with nipples and eyes
from Akrotiri, on island of Thera; 16th century BCE
Athens, National Archaeological Museum. Credits: Barbara McManus, 1980
Keywords: goddess, Minoan

marble bust of Titus; Roman, first century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: emperor, Flavian

marble bust of Vespasian; Roman, first century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: emperor, Flavian

marble bust of Trajan; Roman, first century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: emperor

gold bulla depicting Medusa, Etruscan, 475-25 BCE
Medusa is shown immediately after decapitation; two winged horses are springing from her neck.
London, British Museum. Credits: Barbara McManus, 2001
Keywords: jewelry; Perseus; Pegasus

reconstruction drawing of Baths of Trajan by G. Marcelliani
Credits: Albert Kuhn, Roma, 1913, plate facing p. 72
Keywords: bathing, city of Rome

artist's drawing of Roman family bringing gifts to a tomb by G. Marcelliani
Credits: Albert Kuhn, Roma, 1913, fig. 152, p. 142
Keywords: burial, funerary rituals

toy chariot horses for biga (chariot missing); made of lead
Roman, from Smyrna; first century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: children, toys, family

toy camel carrying pack; made of lead
Roman, said to be from Egypt; first century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: children, toys, family

painting, "Filling the Public Treasury" by Scuiti
Credits: Albert Kuhn, Roma, 1913, fig. 14, p. 21
Keywords: burial, funerary rituals

silver figurine of the protective goddess Tutela wearing headdress decorated with deities representing the days of the week and holding a cornucopia with heads of Luna and Sol; Roman, third century CE
close-up of top of statuette (Saturn, Sol, Luna, Mars, Mercury, Jupiter, Venus on headdress)
part of a hoard of silver statuettes and coins buried in Mâcon, France after 260 CE; may have come from a sanctuary
London, British Museum. Credits: Barbara McManus, 1999
Keywords: religion

painting, "Venus of Urbino" by Titian; 16th century
Florence, Uffizi Museum. Credits: Barbara McManus, 1990
Keywords: Aphrodite, goddess

painting, "Venus and Cupid" by Hendrick Van der Broeck; 16th century
Capodimonte Museum. Credits: Barbara McManus, 1979
Keywords: Aphrodite, goddess

bronze statuette of Venus adjusting her sandal with gold ornaments; Roman, from Egypt
slightly larger version with black background
Paris, Louvre Museum. Credits: Barbara McManus, 1999
Keywords: Aphrodite, goddess

marble statue of Venus with dolphin. so-called Mazarin Venus
second-century CE copy of Hellenistic original (parts restored in Renaissance)
Santa Monica, Getty Museum. Credits: Barbara McManus, 1991
Keywords: Aphrodite, goddess

marble statue of Venus from Melos so-called Venus de Milo
Greek; second-first century BCE
upper torso; side view; side view; side view; back view
Paris, Louvre Museum. Credits: Barbara McManus, 1999
Keywords: Aphrodite, goddess

bronze statuette of Vulcan, wearing dress of craftsman, conical hat and exomis (1 shoulder short tunic)
smaller version with transparent background (gif)
Roman, first-second century CE
London, British Museum. Credits: Barbara McManus, 1999
Keywords: mythology, Hephaestus, workman, artisan

detail of Mycenaean silver cup—tiny bronze and niello head of bearded warrior
Athens, National Archaeological Museum. Credits: Barbara McManus, 1980

detail, red-figure calyx krater (Euphronios vase): young warriors arming for battle; Attic, c. 515 BCE
New York, Metropolitan Museum of Art. Credits: Barbara McManus, 1982
Keywords: mythology, hero

plaster female head—so-called "Clytemnestra," probably from a sphinx
different view; Mycenaean, 13th century BCE
Athens, National Archaeological Museum. Credits: Barbara McManus, 1980; 2002

fresco fragment depicting Mycenaean woman; late 13th century BCE
Athens, National Archaeological Museum. Credits: Barbara McManus, 1980

terracotta sphinx head from archaic temple of Artemis Laphria in Calydon; c. 630 BCE
Athens, National Archaeological Museum. Credits: Barbara McManus, 1998

detail, black-figure woman's head on neck of archaic Cycladic vase
end seventh century - beginning sixth century BCE
Mykonos, Archaeological Museum. Credits: Barbara McManus, 1998

wall painting—two women feeding a pet deer; Roman, from Pompeii, first century CE
smaller version; detail: deer.
Paris, Louvre Museum. Credits: Barbara McManus, 2005

harbor relief—man in armor plus Neptune and winds; Roman
detail—Neptune; detail—man
Ostia. Credits: Barbara McManus, 1982
Keywords: mythology

mosaic of fisherman in boat; Roman
Forum baths, Ostia. Credits: Barbara McManus, 1982
Keywords: fishing

horrea Epagathiana—Roman granary
Ostia. Credits: Barbara McManus, 1982
Keywords: warehouse, storehouse, commerce

Roman street
Ostia. Credits: Barbara McManus, 1982
Keywords: road

piscina with niches to shade fish—Roman fishpond
Ostia. Credits: Barbara McManus, 1982
Keywords: garden

torso of Venus in natural setting
Ostia. Credits: Barbara McManus, 1982
Keywords: garden

field with olive trees near Hadrian's villa
Tivoli. Credits: Barbara McManus, 1970
Keywords: garden

view of rooms through doorway
Hadrian's villa, Tivoli. Credits: Barbara McManus, 1970

view of colonnade
Hadrian's villa, Tivoli. Credits: Barbara McManus, 1970

view of Capitolium across ruins of city; Temple of Jupiter
Dougga, Tunis, northern Africa. Credits: Barbara McManus, 1982
Keywords: religion, province, Roman Africa

Capitolium—front; Temple of Jupiter
Capitolium—side showing pronaos
Dougga, Tunis, northern Africa. Credits: Barbara McManus, 1982
Keywords: religion, province, Roman Africa

House of Trifolium—peristyle looking down from second story
Dougga, Tunis, northern Africa. Credits: Barbara McManus, 1982
Keywords: domus, province, Roman Africa

Colosseum—wide view of exterior arches
Colosseum—view of concentric corridors
Rome. Credits: Barbara McManus, 1979
Keywords: arena, sport, amphitheater, gladiatorial

Colosseum—view of interior through external arch
Rome. Credits: Barbara McManus, 1979
Keywords: arena, sport, amphitheater, gladiatorial; vomitorium

bronze equestrian statue of Marcus Aurelius; original statue in situ on Capitoline before it was replaced with replica
Capitoline, Rome. Credits: Barbara McManus, 1970
Keywords: emperor

Pantheon; exterior with obelisk
Rome. Credits: Barbara McManus, 1982
Keywords: Agrippa, temple, dome

Tabularium, with columns from Temple of Vespasian and Temple of Saturn
Forum, Rome. Credits: Barbara McManus, 1970
Keywords: public records office

inscription to Lucius Caesar as consul designate
Forum, Rome. Credits: Barbara McManus, 1982
Keywords: Augustan succession, stone carving

cryptoporticus;
nderground passage leading from imperial palace of Caligula to Area Palatina; the murder of Caligula occurred in this passage;
alternate view
Palatine, Rome. Credits: Barbara McManus, 1979
Keywords: assassination, emperor

Domus Flavia (Palace of Domitian)
impluvium of peristyle in form of octagonal maze with fountain in center, covered with slabs of marble with mirror-like surface
Palatine, Rome. Credits: Barbara McManus, 1979
Keywords: emperor

bronze bust of Roman man dating from Etruscan era
so-called Lucius Junius Brutus; inlaid eyes are preserved
Conservatori museum, Rome. Credits: Barbara McManus, 1979
Keywords: Roman legends

sarcophagus of male child with relief of Prometheus story;
Roman, third century CE
Rome, Capitoline Museums (Palazzo Nuovo). Credits: Barbara McManus, 2007
Keywords: funerary, mythology

detail—Prometheus sarcophagus
left side—Terra holding cornucopia, Oceanus, Apollo/Helios in chariot, Cupid and Psyche
center—Prometheus fashions man like a sculptor; Minerva adds the soul (bee with butterfly wings)
right side
Roman, third century CE
Rome, Capitoline Museums (Palazzo Nuovo). Credits: Barbara McManus, 2007
Keywords: mythology

relief depicting goddess Roma with bearded male representing Senate welcoming emperor Domitian; cast
Museum of Roman Civilization, EUR, Rome. Credits: Barbara McManus, 1982

statue of Augustus as Imperator; Roman, c. 15 CE
another view; detail of face and upper torso
This 7 ft. marble statue was found at Livia's villa at Prima Porta and was commissioned by Tiberius to celebrate the Roman victory over the Parthians in 20 CE. Augustus is shown as a general addressing his troops; the portrait is youthful and idealized yet still recognizable.
Rome, Vatican Museum (Braccio Nuovo). Credits: Barbara McManus, 2007.
Keywords: emperor, propaganda, military

relief from the breastplate of the Prima Porta statue of Augustus; Roman, c. 15 CE
larger version; close-up of central scene; detail, reclining goddess with cornucopia and two infants.
As deities above and below signify their approval, a Parthian surrenders the captured legionary eagle to a Roman soldier.
Rome, Vatican Museum (Braccio Nuovo). Credits: Barbara McManus, 2007.
Keywords: emperor, propaganda, military

courtyard fountain with columns
Terme Diocletian, Museo Nazionale, Rome. Credits: Barbara McManus, 1979
Keywords: garden

discobolos; Roman copy of statue of discus-thrower by Myron
Terme Diocletian, Museo Nazionale, Rome. Credits: Barbara McManus, 1979
Keywords: sculpture, discobolus

gladiatorial relief; secutor vanquishes retiarius
Terme Diocletian, Museo Nazionale, Rome. Credits: Barbara McManus, 1979
Keywords: gladiator, combat, sport

gladiatorial relief; secutor stands next to retiarius
Terme Diocletian, Museo Nazionale, Rome. Credits: Barbara McManus, 1982
Keywords: gladiator, combat, sport

gladiatorial relief; secutor stands next to retiarius
Terme Diocletian, Museo Nazionale, Rome. Credits: Barbara McManus, 1982
Keywords: gladiator, combat, sport

Roman black-and-white mosaic; two men sacrificing (?)
Terme Diocletian, Museo Nazionale, Rome. Credits: Barbara McManus, 1982
Keywords: gladiator, combat, sport

Roman black-and-white mosaic; two men sacrificing (?)
Terme Diocletian, Museo Nazionale, Rome. Credits: Barbara McManus, 1982
Keywords: religion

Roman mosaic; cat with quail and two ducks
from house at Cecchignola dating from Republican era
detail—cat
Terme Diocletian, Museo Nazionale, Rome. Credits: Barbara McManus, 1979
Keywords: pet, food, animal, bird

stucco decoration from Villa Farnesina; villa, columns, two women
detail—left side (villa)
detail—center (two women)
Terme Diocletian, Museo Nazionale, Rome. Credits: Barbara McManus, 1982
Keywords: domus, decoration

wall painting from Villa Farnesina, cubiculum B
detail—Aphrodite on throne with Cupid and a Grace
Terme Diocletian, Museo Nazionale, Rome. Credits: Barbara McManus, 1979
Keywords: domus, decoration

reconstruction drawing of the west end of the Roman Forum (color added, adapted)
drawing with monuments labelled
Credits: Ch. Huelsen, Das Forum Romanum: Rekonstruktion nach Angaben und mit Erläuterungen, no pagination, 1892.
Keywords: Forum Romanum; city of Rome

reconstruction drawing of the Temple of Concord in the Roman Forum (color added, adapted)
Credits: Ch. Huelsen, Das Forum Romanum: Rekonstruktion nach Angaben und mit Erläuterungen, no pagination, 1892.
Keywords: Forum Romanum; city of Rome; religion

reconstruction drawing of the east end of the Roman Forum (color added)
drawing with monuments labelled
Credits: Ch. Huelsen, Das Forum Romanum: Rekonstruktion nach Angaben und mit Erläuterungen, no pagination, 1892.
Keywords: Forum Romanum; city of Rome

reconstruction drawing of Roman tombs along the Via Appia by A. Schill
Credits: Hermann Bender, Rom und Römisches Leben im Altertum. (2nd ed.), facing p. 298, 1893
Keywords: city of Rome; road; funeral

reconstruction drawing of the Temple of Venus and Rome by P. Lauser
Credits: Hermann Bender, Rom und Römisches Leben im Altertum. (2nd ed.), facing p. 406, 1893
Keywords: city of Rome; religion

drawing of Temple of Venus and Rome on coin of Antoninus Pius
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 145, p. 244, 1909
Keywords: city of Rome; religion

reconstruction drawing of Tiber Island with Temple of Aesclepius by Canina
Credits: Hermann Bender, Rom und Römisches Leben im Altertum. (2nd ed.), p. 78, 1893
Keywords: city of Rome; religion

reconstruction drawing of men's warm room/dressing room in the Forum Baths of Pompeii by Fratelli Niccolini
Credits: Hermann Bender, Rom und Römisches Leben im Altertum. (2nd ed.), p. 303, 1893
Keywords: tepidarium, bathing, leisure

reconstruction drawing of the Regia in the Roman Forum
Credits: S.B. Platner, The Topography and Monuments of Ancient Rome (2nd ed.), fig. 39, p. 213, 1911
Keywords: Forum Romanum; city of Rome; religion

reconstruction drawing of the Temple of Castor in the Roman Forum
Credits: Adapted from S.B. Platner, The Topography and Monuments of Ancient Rome (2nd ed.), fig. 26, p. 182, 1911
Keywords: Forum Romanum; city of Rome; religion

reconstruction drawing of the side of the Temple of Castor in the Roman Forum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 90, p. 162, 1909
Keywords: Forum Romanum; city of Rome; religion

drawing of coin showing Castor and Pollux watering their horses at the Pool of Juturna
from coin of Postumius Albinus, referring to the miraculous appearance of the Dioscuri in the Forum to announce the Roman victory over the Tarquins and the Latins at Lake Regillus in 496 BCE.
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 89, p. 161, 1909
Keywords: Forum Romanum; city of Rome; Lacus Juturnae

reconstruction drawing of the Atrium of Vesta in the Roman Forum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 123, p. 207, 1909
Keywords: Forum Romanum; city of Rome; religion; Vestal Virgins

plan of the Atrium of Vesta in the Roman Forum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 125, p. 213, 1909
Keywords: Forum Romanum; city of Rome; religion; Vestal Virgins

reconstruction drawing of the Temple of Vesta in the Roman Forum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 120, p. 202, 1909
Keywords: Forum Romanum; city of Rome; religion; Vestal Virgins

ground-plan of the Temple of Vesta in the Roman Forum (slightly altered)
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 118 p. 200, 1909
Keywords: Forum Romanum; city of Rome; religion; Vestal Virgins

plan of the Basilica Aemilia in the Roman Forum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 64, p. 131, 1909
Keywords: Forum Romanum; city of Rome; law courts

reconstruction drawing of the facade of the Basilica Aemilia in the Roman Forum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 65, p. 132, 1909
Keywords: Forum Romanum; city of Rome; law courts

drawing of the Basilica Aemilia on a 61 BCE coin of the triumvir Lepidus
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 62, p. 128, 1909
Keywords: Forum Romanum; city of Rome; law courts

reconstruction drawing of the facade of the Basilica Julia in the Roman Forum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 19, p. 63, 1909
Keywords: Forum Romanum; city of Rome; law courts

cut-away reconstruction drawing of the interior of the Basilica Julia in the Roman Forum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 22, p. 67, 1909
Keywords: Forum Romanum; city of Rome; law courts

reconstruction drawing of the side of the Rostra showing ships' beaks in the Roman Forum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 26, p. 73, 1909
Keywords: Forum Romanum; city of Rome; oratory

drawing of coin showing Augustus and Agrippa seated on the Rostra
from coin of Gaius Sulpicius Platorinus, c. 18 BCE
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 31, p. 77, 1909
Keywords: Forum Romanum; city of Rome; oratory

reconstruction drawing of the Temple of the Deified Vespasian in the Roman Forum, with Tabularium behind
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 39, p. 92, 1909
Keywords: Forum Romanum; city of Rome; religion

reconstruction drawing of the facade of the Curia Julia in the Roman Forum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 56, p. 119, 1909
Keywords: Forum Romanum; city of Rome; law courts

reconstruction drawing of the Temple of the Deified Julius Caesar showing rostra in the Roman Forum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 86, p. 158, 1909
Keywords: Forum Romanum; city of Rome; religion

drawing of coin showing Hadrian addressing populace from Temple of the Deified Julius Caesar
from coin of Hadrian
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 84, p. 156, 1909
Keywords: Forum Romanum; city of Rome; oratory

drawing of Temple of Faustina on coin of Antoninus Pius dedicated to his deified wife Faustina
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 126, p. 220, 1909
Keywords: Forum Romanum; city of Rome; religion

drawing of the relief from the tomb of the Haterii (early second century CE) representing the monuments on the Sacra Via from the Palatine to the Colosseum
Credits: Ch. Huelsen, The Roman Forum: Its History and Its Monuments, trans. J.B. Carter (2nd ed.), fig. 150, p. 249, 1909
Keywords: city of Rome; religion

marble funerary tablet erected by Septimia Dionisias (Dionysias), from Rome, third century CE;
smaller version.
In this semiliterate inscription (there are a number of misspellings and grammatical errors), the freedwoman Septimia Dionisias states that she has erected a tomb out of her own savings (de frugalitate mea) for herself, her husband (Titus, an imperial freedman), two of her children (Septimius Venerius and Septimia Efesia), and her own freedmen and women plus their descendants. Since the two named children bear her nomen, they were freeborn but not in a legitimate Roman marriage (probably born before their father was freed). She proudly states that she has been granted the ius liberorum (freedom from guardianship because she has borne 4 children) and threatens a substantial fine (50,000 denarii) for anyone descrating the tomb.
Rome, Palazzo Nuovo (Capitoline Museums). Credits: Barbara McManus, 2010.
Keywords: tomb; freedpeople

marble funerary tablet erected by Claudia Helpis, from Rome, second century CE;
In this inscription, found on the Via Appia in Rome, the freedwoman Claudia Helpis commemorates her "dearest home-bred slave" (carissima verna), named Veneria, who lived 10 years, 5 months, and 25 days.
Rome, Palazzo Nuovo (Capitoline Museums). Credits: Barbara McManus, 2010.
Keywords: tomb; freedpeople

marble funerary tablet for Bassa Manlia Secunda, from Rome, second century CE;
smaller version.
As indicated by the inscription, this funerary tablet, found on the Via Appia in Rome, was erected by the freedman Titus Aurelius Stephanus for his "sweetest daughter," Bassa Manlia Secunda, who lived 2 years, 10 months, and 7 days. He also mentions his wife, Secunda, and his other children and relatives.
Rome, Palazzo Nuovo (Capitoline Museums). Credits: Barbara McManus, 2010.
Keywords: tomb; freedpeople

marble funerary tablet for Claudia Tyche, from Rome, c. 50-100 CE;
smaller version.
As indicated by the inscription, found on the Via Appia, Chrysaon, an imperial slave whose position had to do with the food supply for the ministratores, attendants who served the imperial tables, dedicated this funerary tablet to Claudia Tyche (probably a freedwoman of Claudius or Nero), whom he calls his "most excellent wife" (coniugi optimae) even though slaves could not legally marry.
Rome, Palazzo Nuovo (Capitoline Museums). Credits: Barbara McManus, 2010.
Keywords: tomb; freedpeople

Luna marble funerary tablet for Dorcas, from Rome, c. 14-42 CE;
smaller version.
With relief carving in the form of a shrine with Corinthian pilasters supporting a pediment, this tablet is dedicated to the juno (female tutelary spirit, comparable to the male genius), of the hairdresser Dorcas, freedwoman of Livia (Julia Augusta), formerly a home-bred slave born in the household of Tiberius on Capri. Her husband and fellow freedman (conlibertus) Lycastus, an imperial polling clerk (rogator), built the monument for his "dearest wife" and himself.
Rome, Palazzo Nuovo (Capitoline Museums). Credits: Barbara McManus, 2010.
Keywords: tomb; freedpeople

marble funerary tablet erected by Quintus Cornelius Philomusus, from Rome, c. 1 50 CE;
smaller version.
This plain tablet states that Philomusus, a freedman of Quintus Cornelius and a seller of mantles (sagarius) in the vicinity of the Theater of Marcellus, set up a monument for "himself and his own": Cornelia Daphne, freed by the same master; Cornelia Nymphe, his sister and also freed by the same master. During his lifetime, he placed in this tomb Cornelia Procula, his 7-year-old daughter; Cornelia Helpis, a fellow freedwoman; Callityche, his mother (who may have died a slave because she has only the one name); and Gaius Pinarius Gemellus (since Pinarius is a respectable Latin nomen, he may have been a slave named Gemellus, "twin," who was freed by a Gaius Pinarius).
Rome, Palazzo Nuovo (Capitoline Museums). Credits: Barbara McManus, 2010.
Keywords: tomb; freedpeople

marble funerary tablet erected by Trebonia Laudice, from Rome, c. 1-50 CE;
smaller version.
Trebonia Laudice set up a tomb for Dexter ("right-hand-man," misspelled with an "s" according to the way it was pronounced), an imperial slave in charge of the rooms of the emperor's household (dietarchus domus Augustae), whom she calls her husband (coniunx) despite the fact that slaves could not legally marry. She also mentions their two daughters, Fortunata and Felice. Her own name suggests that she was a freedwoman, so if the daughters had been born after she was freed but while Dexter was a slave, they would be freeborn but illegitimate.
Rome, Palazzo Nuovo (Capitoline Museums). Credits: Barbara McManus, 2010.
Keywords: tomb; freedpeople

marble cinerary altar with lid, from Rome, mid-first century CE
According to the inscription, this small, well-carved altar was set up by Nedimus and Sintyche for the ashes of their "incomparable and sweet" son Vicanus, who lived 1 year, 6 months, and 18 days. A funerary cippus has also been found in Rome with the same inscription (albeit with fewer abbreviations). On the lid, two birds peck at an overturned basket of flowers. The base has a Corinthian column on each side with spiral fluting, on which two Cupids (recalling Vicanus by looking very much like typical toddlers) stand holding a garland that drapes over the inscription. Below the inscription stands a tripod flanked by griffins. On the right side, a garland hangs below a ritual jug (urceus) while two birds peck at the ground; there is a Corinthian pilaster at the side. The left side is identical except for a libation bowl (patera) instead of the jug. Since no nomina appear in the inscription, father, mother, and son may very well all be slaves, though the altar must have been very expensive (the cippus is much plainer).
New York, Metropolitan Museum of Art. Credits: Barbara McManus, 2012.
Keywords: tomb; funerary; family

marble funerary relief with portraits of two women, from Rome, c. 20 BCE - 20 CE;
smaller version.
Within a niche whose left side is slightly broken off are the evocative busts of two middle-aged women, unusally shown with gentle smiles on their faces; each is veiled, with her right hand emerging from her palla in the pudicitia pose. Their hairsrtyles are Augustan, particularly the woman on the right, who has adopted the nodus hairstyle of Livia. The inscription on the left reads CALPVRNIA SALVIA / [F]VRIVS NICEPO[r hic es]T SITVS, indicating that Salvia had been freed by a member of the Calpurnius gens; the freedman (Furius Nicephor) buried in the tomb was probably her husband. The inscripton on the right reads CALPVRNIA HILARA / SIBI ET PATRON[ae] POSVIT EMAGENES [=imagines], indicating that Salvia had freed Hilara, who then in gratitude commissioned the tomb for herself and her patron Salvia. The unusual phrase posuit imagines ("she set up images") emphasizes the portraits, whose strong family resemblance suggests that the two women were sisters born in slavery and that Salvia purchased Hilara sometime after she herself had been freed and then manumitted Hilara.
Krakow, Gallery of Ancient Art (Czartoryski Museum, National Museum). Credits: Barbara McManus, 2011.
Keywords: tomb; freedpeople; family

marble statue of Julia Domna as the goddess Ceres, Roman, early third century CE;
smaller version.
Julia Domna, the wife of Septimius Severus and mother of Caracalla, is easilyg recognizable because of her characteristic hairstyle. She is depicted draped in the dress of the Roman matron, with her palla pulled over her head. In her left hand she holds two ears of grain and two pomegranates, symbols of Ceres, Goddess of agricultural fertility and abundance.
Ostia, Museo Archeologico Ostiense. Credits: Barbara McManus, 2007.
Keywords: empress; Demeter

Animated Images:

Go to Index, Part I, Part II, Part III, Part IV, Part V, Part VII, Part VIII, Part IX, Part X, Part XI, Part XII, Part XIII, Part XIV, Part XV, Roman Coins: Republic and Principate, Roman Coins: Empire, Greek Coins, Coins from the Museum of Cultural History, University of Oslo, Coins from the National Museum in Warsaw, Poland, Coins from the Hunterian Museum

revised June, 2012