Results for query "cameo"

File name (modification date), and list of matched lines (preceded by line numbers)

• line 27: Female Bust: cameo

• line 664: sardonyx cameo: satyr

• line 130: Paris, glass cameo-style disc of blue and white Roman, 27 BCE - 37 CE. Associated with the Portland Vase. London, British Museum. Credits: Ann Raia, 2006.Keywords: Myth, epic, glass
• line 270: Cameo portrait head, sardonyx The woman resembles Agrippina the Elder, mother of Caligula, but the absence of imperial insignia suggests it is a private portrait. Roman, 30-40 CE. London: British Museum. Credits: Ann Raia, 2006. Keywords: empire, jewellry, women, hair.
• line 293: Messalina: cameo
• line 298: Antonia Minor: cameo

• line 66: sardonyx cameo of woman with laurel wreath; Roman, Julio-Claudian era (setting is modern)
• line 70: sardonyx cameo of Nero and Claudia Octavia; Greco-Roman, from the Fayum in Egypt
• line 71: The cameo may have been made to commemorate the marriage to Nero to Octavia, daughter of the emperor Claudius, in 53 CE. It depicts a youthful Nero with his new bride; note the well-defined straps of Octavia's stola, mark of the married woman.
• line 92: cameo depicting Cleopatra and Antony (possibly some modern reworking)
• line 93: The cameo idealizes both rulers and resembles cameos representing earlier Ptolemaic pairs such as Ptolemy II Philadelphus and Arsinoe II.
• line 96: layered onyx cameo of a Ptolemaic queen; Greco-Egyptian, Hellenistic period
• line 98: cameo depicting Livilla as Ceres with her new-born twins; Roman, 19 CE
• line 99: Livilla was the daughter of Antonia and Drusus (son of Livia) and the wife of Drusus the Younger, son of the emperor Tiberius. This cameo commemorates the birth of twin sons in 19 CE; her fertility is celebrated through attributes of the goddess Ceres, since she wears fillet and a wreath of grain, while one of her infants holds a cornucopia.
• line 102: gold ring with carnelian cameo bust of Livia; Roman, 10-20 CE
• line 106: sardonyx cameo depicting Venus and Adonis; Roman, beginning first century CE
• line 110: gold ring with carnelian cameo depicting Hercules shackled by Cupid; Roman, first century BCE
• line 167: onyx cameo of eagle; Roman, 27 BCE
• line 168: larger version. The eagle holds in its claws
• line 169: a palm branch and laurel leaf crown, symbols of victory. The cameo was probably made to celebrate Augustus' "restoration of the Republic" that year. The frame dates from the sixteenth century.

• line 38: pin with relief cameo of a woman's headRoman, imperial period, from
• line 255: gold pendant with
• line 256: glass beads and plasma cameos with faces of childrenRoman, from an
• line 396: fragmentary green
• line 397: turquoise cameo depicting Livia and Drusus [?]; Roman, probably shortly
• line 398: after 9 BCEanother

• line 136: Roman cameo glass skyphos
• line 494: Roman gold necklace; c. 375-425
• line 496: Necklace has garnet settings and a chalcedony cameo pendant depicting a couple.

• line 223: onyx cameo of Livia holding the bust of the deified Augustus; Roman, shortly after 14 CE
• line 224: detail: head of Livia.
• line 303: cameo of Trajan and Plotina; Roman, c. 105-115 CE
• line 304: This sardonyx cameo portrays the emperor and his wife in the yoked (jugate) position often employed by Hellenistic rulers.

• line 66: layered Onyx cameo; Roman
• line 67: This cameo depicts the wedding of Eros and Psyche. Several typical features of the Roman wedding are included in exaggerated form.
• line 265: glass cameo with

• line 174: with outer layer carved in cameo technique Roman, 27 BCE - 37 CE
• line 192: sardonyx cameo:

• line 265: cameo plaque:
• line 344: onyx cameo bust of woman
• line 349: sardonyx cameo portrait
• line 353: sardonyx cameo
• line 355: larger version.
• line 358: sardonyx cameo
• line 625: chalcedony cameo of
• line 630: sardonyx cameo
• line 635: sardonyx cameo of

• line 71: cameo of
• line 79: cameo of
• line 340: onyx cameo of Livia

• line 311: large cameo depicting

Summary for query "cameo":