Results for query "cameo"

File name (modification date), and list of matched lines (preceded by line numbers)

• line 27: Female Bust: cameo

• line 267: cameo plaque:
• line 346: onyx cameo bust of woman
• line 351: sardonyx cameo portrait
• line 355: sardonyx cameo
• line 357: larger version.
• line 360: sardonyx cameo
• line 629: chalcedony cameo of
• line 634: sardonyx cameo
• line 639: sardonyx cameo of

• line 39: pin with relief cameo of a woman's headRoman, imperial period, from
• line 262: gold pendant with
• line 263: glass beads and plasma cameos with faces of childrenRoman, from an
• line 403: fragmentary green
• line 404: turquoise cameo depicting Livia and Drusus [?]; Roman, probably shortly
• line 405: after 9 BCEanother

• line 67: layered Onyx cameo; Roman
• line 68: This cameo depicts the wedding of Eros and Psyche. Several typical features of the Roman wedding are included in exaggerated form.
• line 269: glass cameo with

• line 67: sardonyx cameo of woman with laurel wreath; Roman, Julio-Claudian era (setting is modern)
• line 71: sardonyx cameo of Nero and Claudia Octavia; Greco-Roman, from the Fayum in Egypt
• line 72: The cameo may have been made to commemorate the marriage to Nero to Octavia, daughter of the emperor Claudius, in 53 CE. It depicts a youthful Nero with his new bride; note the well-defined straps of Octavia's stola, mark of the married woman.
• line 93: cameo depicting Cleopatra and Antony (possibly some modern reworking)
• line 94: The cameo idealizes both rulers and resembles cameos representing earlier Ptolemaic pairs such as Ptolemy II Philadelphus and Arsinoe II.
• line 97: layered onyx cameo of a Ptolemaic queen; Greco-Egyptian, Hellenistic period
• line 99: cameo depicting Livilla as Ceres with her new-born twins; Roman, 19 CE
• line 100: Livilla was the daughter of Antonia and Drusus (son of Livia) and the wife of Drusus the Younger, son of the emperor Tiberius. This cameo commemorates the birth of twin sons in 19 CE; her fertility is celebrated through attributes of the goddess Ceres, since she wears fillet and a wreath of grain, while one of her infants holds a cornucopia.
• line 103: gold ring with carnelian cameo bust of Livia; Roman, 10-20 CE
• line 107: sardonyx cameo depicting Venus and Adonis; Roman, beginning first century CE
• line 111: gold ring with carnelian cameo depicting Hercules shackled by Cupid; Roman, first century BCE
• line 168: onyx cameo of eagle; Roman, 27 BCE
• line 169: larger version. The eagle holds in its claws
• line 170: a palm branch and laurel leaf crown, symbols of victory. The cameo was probably made to celebrate Augustus' "restoration of the Republic" that year. The frame dates from the sixteenth century.

• line 224: onyx cameo of Livia holding the bust of the deified Augustus; Roman, shortly after 14 CE
• line 225: detail: head of Livia.
• line 304: cameo of Trajan and Plotina; Roman, c. 105-115 CE
• line 305: This sardonyx cameo portrays the emperor and his wife in the yoked (jugate) position often employed by Hellenistic rulers.

• line 175: with outer layer carved in cameo technique Roman, 27 BCE - 37 CE
• line 193: sardonyx cameo:

• line 665: sardonyx cameo: satyr

• line 137: Roman cameo glass skyphos
• line 495: Roman gold necklace; c. 375-425
• line 497: Necklace has garnet settings and a chalcedony cameo pendant depicting a couple.

• line 312: large cameo depicting

• line 72: cameo of
• line 80: cameo of
• line 341: onyx cameo of Livia

• line 130: Paris, glass cameo-style disc of blue and white Roman, 27 BCE - 37 CE. Associated with the Portland Vase. London, British Museum. Credits: Ann Raia, 2006.Keywords: Myth, epic, glass
• line 270: Cameo portrait head, sardonyx The woman resembles Agrippina the Elder, mother of Caligula, but the absence of imperial insignia suggests it is a private portrait. Roman, 30-40 CE. London: British Museum. Credits: Ann Raia, 2006. Keywords: empire, jewellry, women, hair.
• line 293: Messalina: cameo
• line 298: Antonia Minor: cameo

Summary for query "cameo":