Results for query "cameo"

File name (modification date), and list of matched lines (preceded by line numbers)

• line 68: layered Onyx cameo; Roman
• line 69: This cameo depicts the wedding of Eros and Psyche. Several typical features of the Roman wedding are included in exaggerated form.
• line 270: glass cameo with

• line 40: pin with relief cameo of a woman's headRoman, imperial period, from
• line 263: gold pendant with
• line 264: glass beads and plasma cameos with faces of childrenRoman, from an
• line 404: fragmentary green
• line 405: turquoise cameo depicting Livia and Drusus [?]; Roman, probably shortly
• line 406: after 9 BCEanother

• line 176: with outer layer carved in cameo technique Roman, 27 BCE - 37 CE
• line 194: sardonyx cameo:

• line 670: sardonyx cameo: satyr

• line 268: cameo plaque:
• line 347: onyx cameo bust of woman
• line 352: sardonyx cameo portrait
• line 356: sardonyx cameo
• line 358: larger version.
• line 361: sardonyx cameo
• line 630: chalcedony cameo of
• line 635: sardonyx cameo
• line 640: sardonyx cameo of

• line 138: Roman cameo glass skyphos
• line 496: Roman gold necklace; c. 375-425
• line 498: Necklace has garnet settings and a chalcedony cameo pendant depicting a couple.

• line 225: onyx cameo of Livia holding the bust of the deified Augustus; Roman, shortly after 14 CE
• line 226: detail: head of Livia.
• line 305: cameo of Trajan and Plotina; Roman, c. 105-115 CE
• line 306: This sardonyx cameo portrays the emperor and his wife in the yoked (jugate) position often employed by Hellenistic rulers.

• line 319: large cameo depicting

• line 73: cameo of
• line 81: cameo of
• line 342: onyx cameo of Livia

• line 68: sardonyx cameo of woman with laurel wreath; Roman, Julio-Claudian era (setting is modern)
• line 72: sardonyx cameo of Nero and Claudia Octavia; Greco-Roman, from the Fayum in Egypt
• line 73: The cameo may have been made to commemorate the marriage of Nero to Octavia, daughter of the emperor Claudius, in 53 CE. It depicts a youthful Nero with his new bride; note the well-defined straps of Octavia's stola, mark of the married woman.
• line 94: cameo depicting Cleopatra and Antony (possibly some modern reworking)
• line 95: The cameo idealizes both rulers and resembles cameos representing earlier Ptolemaic pairs such as Ptolemy II Philadelphus and Arsinoe II.
• line 98: layered onyx cameo of a Ptolemaic queen; Greco-Egyptian, Hellenistic period
• line 100: cameo depicting Livilla as Ceres with her new-born twins; Roman, 19 CE
• line 101: Livilla was the daughter of Antonia and Drusus (son of Livia) and the wife of Drusus the Younger, son of the emperor Tiberius. This cameo commemorates the birth of twin sons in 19 CE; her fertility is celebrated through attributes of the goddess Ceres, since she wears fillet and a wreath of grain, while one of her infants holds a cornucopia.
• line 104: gold ring with carnelian cameo bust of Livia; Roman, 10-20 CE
• line 108: sardonyx cameo depicting Venus and Adonis; Roman, beginning first century CE
• line 112: gold ring with carnelian cameo depicting Hercules shackled by Cupid; Roman, first century BCE
• line 169: onyx cameo of eagle; Roman, 27 BCE
• line 170: larger version. The eagle holds in its claws
• line 171: a palm branch and laurel leaf crown, symbols of victory. The cameo was probably made to celebrate Augustus' "restoration of the Republic" that year. The frame dates from the sixteenth century.

• line 131: Paris, glass cameo-style disc of blue and white Roman, 27 BCE - 37 CE. Associated with the Portland Vase. London, British Museum. Credits: Ann Raia, 2006.Keywords: Myth, epic, glass
• line 271: Cameo portrait head, sardonyx The woman resembles Agrippina the Elder, mother of Caligula, but the absence of imperial insignia suggests it is a private portrait. Roman, 30-40 CE. London: British Museum. Credits: Ann Raia, 2006. Keywords: empire, jewellry, women, hair.
• line 294: Messalina: cameo
• line 299: Antonia Minor: cameo

• line 28: Female Bust: cameo

Summary for query "cameo":